Superdeaf Releases Mass Hysteria To The Masses

New York City based thrash-punk band Superdeaf recently released their new EP, Mass Hysteria. It dropped on August 10th, 2020 with their label Maximum Collabo. The title is an eerily accurate description of our times. The album is four songs of pure adrenaline. As soon as the first track kicks in, I am gripped by the need to bang my head, grind my teeth and blindly throw myself into the pit. I’m immediately picking up a unique blend of metal and hardcore, that brings me back to my youth.

The musicians have international origins, before coming together in NYC to form a super-band with members from Escarioka, Outernational and Chango. The band is comprised of Cristøbal Miranda (drums/vocals) from Chile, Leo Minimum Tek (guitar/vocals) from Seattle, and Javier Barquet (bass/vocals/fx) from Mexico.

They have political, pro-rights lyrics with out leaving the joy of life. In your face kinda attitude. Fast riffs fast songs with that latin rhythmic section influence. Spanglish is their language. They stand strong amongst everybody’s rights. No racism, no fascist USA. No one is illegal.

Recorded by Steelwolf Jon Markson, Brooklyn & Alex Lanas Global Goal, Corona Queens. Mixed by Jhon Reyes Wisenoise, Saltillo Mexico. Mastered by Maceo Fuentes, Brooklyn.
  1. TEAR GAS
  2. SICK
  3. TRUMP SUPPORTER DISORDER (TSD)
  4. MASS HYSTERIA

I was lucky enough to catch up with Javier Barquet, the bass player of Superdeaf, for an exclusive interview. He’s a very friendly, laid back guy, that was super gracious with his time.

Dan: Could you talk about your origins? How did the band start out?

Javier: Superdeaf started as a studio band, right? These guys got free studio time and they just record an album. So they made an album before they had a band. After they record four songs, they’re like oh shit! It sounds cool, we should get a band. Right? So I got auditioned as bass player. They called me in and I nail the job, now I’m the bass player. We used to have a singer originally. Cass, he was a wrestler, but he couldn’t handle his shit, so he ended up getting fired and we split the vocals between the three of us. We decided to keep it a power-trio and, just like the Beastie Boys, everybody sings a little bit, because none of us are really singers. Kept it simple so we could travel. 

D: Do you play a lot of shows?

J: We don’t really play shows in New York. We do, but we’re tired, we all come from different bands that been around the scene forever. So we’re just tired of these fucking New York gigs. If it’s a cool show, of course we’ll take it, but no weekend bullshit. We prefer to work than take off a Saturday night.

D: Yeah, playing for like 15 people?

J: Yeah, we’re tired of that shit. But we produce a lot of songs. We just released a new album Mass Hysteria. I don’t know if you listened to the first EP? It’s a totally different sound.

D: I haven’t. what’s it called?

J: Contraband. We made a video for each song, it was the first EP. We are doing the same for this album. Now we working with a singer in Las Vegas. We just took our voices off the songs, but we left the choruses, he’s going to translate everything into Spanish. So every song we’re going to feature someone else. The first one is from Spain, Estragos Trifulka, he was in a huge band from the 80’s. He’s going to sing in Spanish. So for each song we are going to feature a different super star.

D: Very cool to do the songs in Spanish.

J: We are going back to the studio in November or October to record 2 new songs. The two songs we just made, they are fucking awesome.

D: Are you going to add it on this EP to make a full length?

J: No, it’s going to be all new.

D: So the EP just got released, have you been releasing singles before?

J: Yes. We did four singles. Every three weeks, I believe, we released a song. We just got played in Toronto on the radio, which is really cool. We just got played in Mexico, on the radio. Really cool.

D: Talk a little bit about your background. You’re from Mexico, right?

J: Yes. And the drummer is from Chile and the guitarist is a Polish dude from Seattle.

D: So you all come from different musical backgrounds?

J: Yeah, these fuckers play Salsa and Merengue. Cristo is a metal-head. They’re musicians for a living. You know? 

D: Right. I was a metal-head in my youth.

chango – bass • cristo – drums • leo – guitar

J: They have different bands and projects, [Cristo] plays congos and bongos. They make money. He plays in a jazz band on the street. They make a shitload of money. Leo is the same thing. He plays Salas and Bachata. 

D: How about you?

J: I’m a punker. I’ve played punk my whole life. I’m a metal-head, I love metal. I became a busker when I first came to New York. I made an electronic project, so I spent a lot of time in the underground playing music. I met a lot of people and made a lot of money and did a bunch of networking. Made a couple videos that went viral.

D: Nice! What was the project that went viral?

J: It’s called Chango. We worked with Mathew Silver. Do you know who he is?

D: No, I don’t think so. Not sure.

J: We worked with this fucker.

He shows me this video of a performance artist and Javier’s electronic group Chango, two guys that perform in luchador (Mexican wrestler) masks.

D: Wow, that’s incredible! Do you still do this? 

J: Sometimes. I do it by myself now though. 

D: Where Superdeaf’s influences come from? Thrash?

J: Thrash & Metal. Sepultura, Metallica, Pantera, Anthrax, Slayer.

D: It has a very fresh sound. When you finish each song, what do you say?

J: “Superdeaf”. Someone has to say it.

D: All three of you?

J: One of us has to say it. There’s one song we all did it. When we’re recording, everyone has to be in the cabin, so we all say it. “Superdeaf”. Then whoever says it best. Live it’s cool. What’s the name of the band? Superdeaf. Superdeaf. Superdeaf. When you’re listen to the band, it’s fucking cool. Right?

Definitely! It was a pleasure to speak with Javier and learn about the rich history of these metal veterans. Look out for more music and videos from this powerful band that will literally melt your face. Say it with me while I scream… Superdeaf!

Superdeaf on Youtube | Instagram | Facebook

Amazing Article On The Creative Process

Lead Photo by INTHEBLACK

I found this article in my ASCAP newsletter and was so moved by it’s accuracy in identifying process, so I wanted to share. Please check this author out. Great in-sites!

The Process Is The Reward

Written by: Mutationist –ritwikdeshpande  December 25, 2018 4 Minutes

I attended a talk by Ivy Ross, the head of design for all hardware products at Google. Ivy started her career as a jewelry designer, and when she was 24, had some of her work acquired by the Smithsonian. “The ego trip lasted for all of three weeks,” she said. The success was great, but transient. The process of making those pieces, in comparison, took way longer. What she learned from the experience was you spend more time doing the work than experiencing its outcome. It’s better to make that time worthwhile instead of worrying about how it will land.

Fast Company

I recently finished a song, played it back and felt very excited. It was the most evolved piece of music I had composed so far. The sounds worked well with each other, the mix sounded clean and the composition had a well-defined narrative arc. I played it to a few friends and co-workers and felt delighted as I watched them move (just a little) at parts where the momentum picked up. It felt like months of practice was finally beginning to pay off.

Then, after a day, I revisited the song and realized the melody was cheesy, the synth … [Read More]