Rowe/Modelo perform their song “Fishing for Feels” Live on Dan Victor Does. Watch the full performance on Episode 1 of DVD Concerts.
New York City based thrash-punk band Superdeaf recently released their new EP, Mass Hysteria. It dropped on August 10th, 2020 with their label Maximum Collabo. The title is an eerily accurate description of our times. The album is four songs of pure adrenaline. As soon as the first track kicks in, I am gripped by the need to bang my head, grind my teeth and blindly throw myself into the pit. I’m immediately picking up a unique blend of metal and hardcore, that brings me back to my youth.
The musicians have international origins, before coming together in NYC to form a super-band with members from Escarioka, Outernational and Chango. The band is comprised of Cristøbal Miranda (drums/vocals) from Chile, Leo Minimum Tek (guitar/vocals) from Seattle, and Javier Barquet (bass/vocals/fx) from Mexico.
They have political, pro-rights lyrics with out leaving the joy of life. In your face kinda attitude. Fast riffs fast songs with that latin rhythmic section influence. Spanglish is their language. They stand strong amongst everybody’s rights. No racism, no fascist USA. No one is illegal.
- TEAR GAS
- TRUMP SUPPORTER DISORDER (TSD)
- MASS HYSTERIA
I was lucky enough to catch up with Javier Barquet, the bass player of Superdeaf, for an exclusive interview. He’s a very friendly, laid back guy, that was super gracious with his time.
Dan: Could you talk about your origins? How did the band start out?
Javier: Superdeaf started as a studio band, right? These guys got free studio time and they just record an album. So they made an album before they had a band. After they record four songs, they’re like oh shit! It sounds cool, we should get a band. Right? So I got auditioned as bass player. They called me in and I nail the job, now I’m the bass player. We used to have a singer originally. Cass, he was a wrestler, but he couldn’t handle his shit, so he ended up getting fired and we split the vocals between the three of us. We decided to keep it a power-trio and, just like the Beastie Boys, everybody sings a little bit, because none of us are really singers. Kept it simple so we could travel.
D: Do you play a lot of shows?
J: We don’t really play shows in New York. We do, but we’re tired, we all come from different bands that been around the scene forever. So we’re just tired of these fucking New York gigs. If it’s a cool show, of course we’ll take it, but no weekend bullshit. We prefer to work than take off a Saturday night.
D: Yeah, playing for like 15 people?
J: Yeah, we’re tired of that shit. But we produce a lot of songs. We just released a new album Mass Hysteria. I don’t know if you listened to the first EP? It’s a totally different sound.
D: I haven’t. what’s it called?
J: Contraband. We made a video for each song, it was the first EP. We are doing the same for this album. Now we working with a singer in Las Vegas. We just took our voices off the songs, but we left the choruses, he’s going to translate everything into Spanish. So every song we’re going to feature someone else. The first one is from Spain, Estragos Trifulka, he was in a huge band from the 80’s. He’s going to sing in Spanish. So for each song we are going to feature a different super star.
D: Very cool to do the songs in Spanish.
J: We are going back to the studio in November or October to record 2 new songs. The two songs we just made, they are fucking awesome.
D: Are you going to add it on this EP to make a full length?
J: No, it’s going to be all new.
D: So the EP just got released, have you been releasing singles before?
J: Yes. We did four singles. Every three weeks, I believe, we released a song. We just got played in Toronto on the radio, which is really cool. We just got played in Mexico, on the radio. Really cool.
D: Talk a little bit about your background. You’re from Mexico, right?
J: Yes. And the drummer is from Chile and the guitarist is a Polish dude from Seattle.
D: So you all come from different musical backgrounds?
J: Yeah, these fuckers play Salsa and Merengue. Cristo is a metal-head. They’re musicians for a living. You know?
D: Right. I was a metal-head in my youth.
J: They have different bands and projects, [Cristo] plays congos and bongos. They make money. He plays in a jazz band on the street. They make a shitload of money. Leo is the same thing. He plays Salas and Bachata.
D: How about you?
J: I’m a punker. I’ve played punk my whole life. I’m a metal-head, I love metal. I became a busker when I first came to New York. I made an electronic project, so I spent a lot of time in the underground playing music. I met a lot of people and made a lot of money and did a bunch of networking. Made a couple videos that went viral.
D: Nice! What was the project that went viral?
D: No, I don’t think so. Not sure.
J: We worked with this fucker.
D: Wow, that’s incredible! Do you still do this?
J: Sometimes. I do it by myself now though.
D: Where Superdeaf’s influences come from? Thrash?
D: It has a very fresh sound. When you finish each song, what do you say?
J: “Superdeaf”. Someone has to say it.
D: All three of you?
J: One of us has to say it. There’s one song we all did it. When we’re recording, everyone has to be in the cabin, so we all say it. “Superdeaf”. Then whoever says it best. Live it’s cool. What’s the name of the band? Superdeaf. Superdeaf. Superdeaf. When you’re listen to the band, it’s fucking cool. Right?
Definitely! It was a pleasure to speak with Javier and learn about the rich history of these metal veterans. Look out for more music and videos from this powerful band that will literally melt your face. Say it with me while I scream… Superdeaf!
Coffee from a Thermos, live from The Neverland Ranch. Plans that Dan has for the future, streaming and strategy on DanVictorDoes.com. This is a catch-up on all of what has happened since moving to a new apartment. There is complete transparency in the process of building the brand. Analyzing podcasters techniques, like Bill Burr and Joe Rogan. Making some decisions. Building a platform for creative and mental advocacy.
Also Cobra Kai, which Bill Burr had plugged in his podcast, is an excellent series. I caught it first on Youtube Premium before it came on Netflix. So much can be said about Karate Kid follow-up becoming Bad Sensai just like Bad Santa with Billy Bob Thorton. Next generation is very fresh in twisting who the hero is, while not making anyone a villain. After all, the true villain is self-doubt.
On Saturday, August 29th, from 2 to 9pm, bands will be performing an all-ages show at The Hercules Garden. It is a community garden in Bushwick that was transformed from a vacant lot filled with garbage to a hot-bed of growth, not just in vegetation, but in communion. Located at 87A Cooper Street, Brooklyn, NY 11207.
The bands taking the stage are Necrotic Society, WildKunz, Maru Tao, Bowhead, Cursed Images and White Lighters. The show was organized by Adam Kautz, drummer for White Lighters, which will be a reunion for the band.
While much of the world is under quarantine, we suffer from a lack of connection, that is essential to the human experience. What better way to remedy the vacancy, than to share food, give back to the neighborhood and offer a location to safely congregate for outdoor events.
Wearing masks and practicing social distancing is strongly encouraged. While the show is free, there is a suggested donation of supplies including bug spray, lighter fluid, toilet paper, hand-sanitizer, trash bags, bleach, masks or paper towels. These go towards maintaining the essentials of the space.
Other events and gatherings take place, including an Open Mic hosted by Dan Victor every Sunday from 5 to 8pm. Wellness Wednesday occurs weekly to promote health and well-being, offering horticultural demos, self-defense, Reiki and Yoga classes. For more info about The Hercules Garden events, visit their Instagram. See below for more about the bands.
It is extremely difficult to navigate the world when you have bipolar disorder. I spent my life trying to find a way to live. It can be be very frustrating to find proper treatment. So much is stacked against you. Even after courageously seeking help, getting a diagnosis, finding the right medication, realizing the system is flawed, doctors don’t have all the answers, care can be conditional, and family members may blame you… we continue to persevere.
My career has been in advertising, music and media, but I tried to hide my mental illness from my employers. I lost so many jobs because of my manic episodes. Most recently, I was the editor-in-chief at Popdust.com before my psychotic break. After calling 911 on myself, I was admitted into the psych ward of Beth Israel hospital in April 2019. For over 18 years I fought for my life while trying to appear normal. After this last hospitalization, I told myself, no more. I am officially ‘out’.
Since I can no longer hide, I would like to help those who suffer in silence. I believe there is a therapeutic value in sharing my experience. I want to fight the stigma associated with mental illness. I’m grateful to have an opportunity to use my gifts to help so many who feel alone. Together, there is hope.
A chance to begin again and affirm the beliefs that shape our experience. We live in the present, so our goals must begin presently. The past is over and the future is the unknown, events occur in the ‘now’ which is within 15 seconds of when it happens. We have power over what we pay attention to. I can spend that 15 seconds on nourishment or negativity, only one will feed me.
“It’s being here now that’s important. There’s no past and there’s no future. Time is a very misleading thing. All there is ever, is the now. We can gain experience from the past, but we can’t relive it; and we can hope for the future, but we don’t know if there is one.”
― George Harrison
Water can taste bad, but I need it to survive. Does water even have a taste? I don’t like to buy it. I like it cold. I add lemon. I distract myself. I make the experience special. I choose to change my perception, so I don’t feel compelled to change what is out of my control.
Smoke detectors beeping are out of my control. The sharp sound really drives me up a wall. (Beep). Why do these little blips get under my skin? (Beep). Address the problem. Change the battery. (Beep). My irritation has derailed my focus, so I go on a rampage throughout the house to find the source of the noise. (Beep). Every time I hear the sound, it is a reminder. I must flip the script. Stop and breath. (Beep).
Am I required to do something or is it an annoyance to ignore? I must walk away or find a solution. (Beep). Internal strife and external distraction are both factors pointing back to me. Acceptance. Close the door. (Beep). Turn the music up. Let it be. (Beep). (Beep). (Beep).
Little bit of the Crazy Eye. Sketchbook fun with stippling. Really like shading with that technique. Healthy teeth and eyes, keeps a fella wealthy and wise.
What are you looking at? Paranoid eyes with that diplomatic frown.
June is the season I was introduced to Guided by Voices. In my mind, they are really more of a live band, with Bob Pollard doing karate kicks, swinging the mic around in one hand and a bottle of Budweiser in the other. I first saw GBV play at Irving Plaza in New York City when I was 19, right around my birthday, June 20th. I never heard of them, but went because my friend dragged me out. I was blown away. Tobin Sprout was still playing guitar, right before Alien Lanes came out. The song that captures me was Over The Neptune/Mesh Gear Fox. I remember the feeling of melting into the crowd when he says “and if you do, I’ll come back and marry you.” After that I was hooked.
Within a week, I bought the Vampire on Titus / Propeller dual album. Then I digested the Lo-fi sound, which was a characteristic that somehow highlighted the emotional sensitivity of Bob’s songwriting. Making it accessible and relatable to the Tascam Porta One cassette 4-track I started out recording with.
I would also spend my 21st birthday seeing them at the Trocadero in Philly. Actually a couple days before, which kept me from drinking at the bar. So my friend and I chugged some 40’s of St. Ides in the alley before the show.
Summer was the season that I realized my dream to rock on stage and expose myself in my recordings, more like a diary than an album. I am 45 this year and so grateful Robert Pollard & Guided By Voices have been in my life.
Making music is such a massive part of who I am. In a way, it is my religion, and performing on stage is a spiritual experience. I always thought it was because my father was a musician and it might have been a way to relate because he was often not around. I wanted a language we could both communicate in. But in this moment I realize it was Bob, with the same name as my father, that guided me to the life of songwriting and performing that I cultivated.
This is the season I dust off the GBV catalog (now in my iTunes… always wanted the original box set on vinyl) and celebrate over 25 years of rocking out with this influential band. The club is fucking open.
This installment of The Industry Is Watching podcast features Lenese Colleea, a fashion designer that is sharp with her words and on point with her perspective. Her quick wit is apparent as she decodes the fashion business. Both charming and ambitious, Lenese is a formidable visionary that has overcome many obstacles to get where she is. She is making moves and shows no signs of slowing down.
This has been a life-long pursuit for her. Lenese lovingly credits her grandmother with getting her started, teaching her to sew at the age of seven. Although, she had to prove to her Granny that she was committed. She had to sew a straight line on paper before she could advance to cloth. As a teenager, Lenese ran a lucrative pillow making business with personalized details such as hand-stitched lettering. Her work ethic sets a shining example of what you can accomplish with determination.
Fashion Entrepreneur Lenese Calleea created the blueprint on how to get into the fashion industry. From concept to product, Lenese offers education, empowerment and fashion consulting classes on how to bring your fashion dreams to life.
Lenese offers a variety of opportunities to young designers looking to break in the business. She established The Black Girlz Designer Club, a non profit organization dedicated to providing mentorship, scholarships, and an array of creative resources to Black youth with a passion for fashion. She is even the host of her own podcast. The BlackNFashion podcast is a forum dedicated to the education and development of Blacks in fashion, from the novice to the professional.
Her excellent sense of humor ignites the non-stop dialog between Lenese and Champ, the host of The Industry is Watching podcast. Their chemistry seems to spark immediately and continues throughout the conversation. This interview is exceptionally entertaining, as well as an informative peak behind the curtain, into the world of fashion.
Be sure to catch Lenese Calleea on this exciting episode of The Industry is Watching podcast. You can listen regularly on iTunes, Spotify or Soundcloud. Discover if you are an Insider, an Underdog or fall somewhere in between. Because like Champ says, you are only one contact, one call, or one post away from making it happen. Follow Champ on Instagram @champmedia.